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SUNDAY, May 16 - 10:00 am to
12:00 pm
1.
How do you connect to your client and customer markets?
Peter Chapman, Daryl Hurs, Orin Isaacs, Jim McGrath,
Andrew Tolomizenko
What
is the market? Who is servicing it? Who is selling into it? How are
people selling to market? Where does money flow
from? How are you
protecting your intellectual property rights, and those of the
musicians you work with? How does this impact the way in
which you
record, eg budget decisions, technologies, methodologies?
Wish
List: what would help you in your business, eg less restrictions on
services such as Spotify, more encouragement for innovation through
government support (tax credits, relief that is currently targeted at
larger businesses).
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Webcast Archive
Courtesy Ryerson University |
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SUNDAY, May 16 - 2:00 pm to 4:00
pm
2.
What's in your studio? What is your studio facility like?
Dave Dysart, Peter Moore, Martin Pilchner,
Ashton Price, Tyler Shaw
How do you
get it done? What technologies do you use... all in box?
Analog outboard? Samples? etc How do you research new purchases?
Insurance, liability?
Room
optimization...... challenges (computer fans, HVAC noise,
electrical interferences, data storage and security, etc), speaker
optimization? Both recording room and control room... or are they the
same room? Do you work remotely? Both?
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Webcast Archive
Courtesy Ryerson University |
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MONDAY, May 17 - 10:00 am to
12:00 pm
3.
How do you record?
Adam Faux, Mark Makoway,
Chris Stringer, Dan Weston, Michael Philip Wojewoda
Recording
Techniques... are there new possibilities or limitations that you
encounter… what does the eStudio enable you to do?
What do YOU do that
we might find interesting?
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Webcast Archive
Courtesy Ryerson University |
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MONDAY, May 17 - 2:00 pm to 4:00 pm
4. How
You Are Delivering to Your Market?
Julian Daboll, Adam Hunt,
Craig Norris, Brad Turcotte, Phil Villenueve
On-line
digital downloading through aggragators, eg CD Baby, or services eg DMDS, or retailers eg
Puretracks, iTunes, Streaming technologies....??? Delivery modes???
Internet radio? eg CBC Radio 3, Spotify, Pandora, Compression?
archiving? Smart Phones? Olympics streaming live? Mastering for
film or streaming, compression algorithms.... Physical sales
through retail chain, or “off-stage” concert sales?
download cards?
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Webcast Archive
Courtesy Ryerson University |
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In
an era of emerging technologies and music industry practices,
redefining the traditional sound recording studio as well as the roles
of the sound engineer and producer has become part of the changing
landscape.
New hardware and software has allowed the traditional studio owner to
broaden the scope of his/her core capabilities in an effort to deepen
market presence. The studio is more often now directly engaged in the
entire chain of the creation of music, from artist development and
product promotion through to a label-like stake in any potential
profits.
Entrepreneurial spirit combined with initiative and resourcefulness
have brought forth the emergence of the independent recording studio
capable of offering services over a broader range of the audio industry
and beyond.
We refer to this market as the eStudio or Enterprise Studio.
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Toronto
AES Seminar 2010 Organizing Committee
Chair: Earl
McCluskie (Chestnut Hall Music)
Vice
Chair/Sponsorship: Sy Potma (Fanshawe College)
Event
Moderator: Robert Breen (OIART)
Presenters: Robert
DiVito (Montgomery Sound and Image Studio)
Facilities/Sponsorship:
Dave Dysart (HHB Canada)
Audio:
Blair Francey (Long and McQuade)
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