The Future of Sound: AI, Audio Engineering, and the Rise of Synthetic Media

2025 Bulletin - November, Regular Meeting, Special Event

The Audio Engineering Society is proud to announce “The Future of Sound: AI, Audio Engineering, and the Rise of Synthetic Media” an upcoming panel discussion dedicated to the revolutionary impact of artificial intelligence on the audio industry.

In an era where technological advancements are revolutionizing every aspect of our lives, the field of audio engineering stands at the forefront of innovation. This event will delve into the fascinating world where machine learning, automation, and AI converge to shape the future of sound.

Join us for a dynamic exploration of the latest developments, moving beyond the buzzwords to discuss cutting-edge research and real-world applications. A distinguished panel of experts will explore the profound impact of these technologies, from production workflows to the very nature of creativity and intellectual property.

Key topics will include:

  • The Rise of Synthetic Media: A deep dive into realistic voice cloning, text-to-speech (TTS), and the tools creating new vocal and instrumental performances.
  • AI in Production & Post: Exploring generative music composition, intelligent noise reduction, automated mixing, and audio restoration.
  • The New Creative Frontier: How are these tools changing workflows for artists, engineers, and sound designers?
  • Ethical & Copyright Challenges: Confronting the critical questions of authenticity, deepfakes, artist consent, and intellectual property in an age of AI-generated content.

The discussion will be followed by an audience Q&A session.

Tuesday November 25, 2025


Time:

6:15 – Pizza + Networking
7:00 – Presentation
7:25 – Panel discussion
9:15 – Wrap up


Where:
Room 216 –  University of Toronto
Edward Johnson Building
80 Queens Park,
Toronto, ON M5S 2C5, Canada

 

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PANELISTS:

Damian Kearns

Damian Kearns

Proprietor at 217 Audio

Damian is an extremely creative, versatile audio engineer. Though he specializes in post production for television and movies, Damian has many promotional, pre-production, production and presentation audio projects to his credit. He has written extensively for the major industry website https://www.production-expert.com, edits scripts, administered lectures/workshops, has appeared on-screen, on radio and performed character voiceover. Damian has always been picked first by his employers to advance new workflows and technology. in the past, he was CBC Toronto’s de facto in-house Pro Tools trainer. Damian has been among the most valued employees everywhere he has worked and is in high demand as a freelancer and sole proprietor of 217 Audio.

Recently, Damian has worked his mixing and editing magic on several indie films for Canadian and American clients, as well as a slew of commercials, lots of corporate content and two podcast series. Currently, he is collaborating with European clients and creatives on a feature length documentary on ancient Athens, in which he is both dialogue editor and sound designer. As a beta tester and consultant, Damian is working with developers behind such software as SpectraLayers Pro 12 and Waves Clarity Vx Pro. He’s also a contributor to production-expert.com. Damian often focusses on sound restoration in his work and as such, is sought out for his insight in this area.

Damian’s an ace sound designer. His work featured in PROMAX GOLD and PROMAX silver award winning commercials. Damian has open sourced his 5.1 and stereo Pro Tools templates for use by any and all.

Jeff Wolpert

Jeff Wolpert

multi-award-winning engineer, mixer, producer and educator

A multi-award-winning engineer, mixer, producer and educator Wolpert has worked with some of the biggest names in today’s entertainment industry. A graduate of Concordia University in Montreal (BFA Studio Music), Wolpert went on to earn his Master of Music Degree in Sound Recording (Tonmeister) from McGill University in 1982.

Upon graduation, he joined Inception Sound where he helped build it from one 8-track into two 48-track studios. He then became the chief engineer at McClear Pathé Recording Studios, a five-studio multi-format recording and mixing facility. Since 2012 he has been the owner of the Dolby ATMOS Music certified multi-room facility Desert Fish Studios located in downtown Toronto and has won 3 JUNO Awards for Recording Engineer of the Year. He is the Director of the Master in Music Technology and Digital Media graduate program at the University of Toronto as well as Professor of Immersive Audio at the Accademia Musicale Chigiana in Siena, Italy.

Wolpert has toured the world several times producing, recording and mixing for Canadian and International artists such as Loreena McKennitt, Herbie Hancock, Kola Loka and many others as well as over 200 film scores and countless television episodes. Known for his mastery of recording and intricate mixing, Wolpert is also recognized for his vast musical, organizational, technical and computer knowledge.

Michael Nunan

Michael Nunan

Multi-disciplinary specialist in Production and Post-Production Sound

A 30+ year veteran of the Television and Audio industries, Michael is a multi-disciplinary specialist in Production and Post-Production Sound, with emphasis on multi-channel acquisition, editing, sound design and mixing.

Michael has an international reputation for his work in the deployment of multi-channel sound technologies and workflows in large-scale broadcast environments, and for his advocacy for immersive surround production in long-form factual, music and variety production.As Bell Media’s Post Sound Supervisor for 10 years, and another decade as Senior Manager for Broadcast Audio and Post Production Operations, Michael enjoyed supervisory and mixing duties on more than 100 documentaries and over 2000 factual episodic programs, along with countless Live productions spanning every genre from Sports and News, to Live Variety and Specials. His mixes have garnered him multiple Gemini citations and two Canadian Screen Awards, including an Academy Special Award for Outstanding Technical Achievement. The highlight of his mixing career has been the Opening and Closing Ceremonies for the 2010 Vancouver Olympic Games and The Olympic Suite which accompanied those Games.His commitment to fostering the future of the industry can be found in his 14-year stint as Adjunct Faculty at Seneca College, and most recently with a semester spent teaching at TMU.He is currently serving as Senior Architect in the Research & Development division of Evertz Microsystems Ltd., a leading global manufacturer in broadcast equipment and solutions.Michael’s professional affiliations include AES, SMPTE, and the Academy of Canadian Cinema & Television. He is a frequent speaker at industry events across North America, as well as being an occasional contributor to several industry publications.
Noah Mintz

Noah Mintz

Senior Mastering Engineer

Noah Mintz is a Senior Mastering Engineer at Lacquer Channel Mastering. With over 25 years audio experience specifically and exclusively in professional mastering, Noah’s philosophy has always been “less is more.” with a strong emphasis on “vibe”.
From the time Noah bought his first four very diverse record albums; Talking Heads, Men Without Hats, Def Leopard and Lionel Ritchie, he’s been as much interested in how music sounds as in the songs themselves.

After the demise of the 90’s touring band hHead in which Noah was a co-founder and songwriter, Mastering was the natural progression. In 1998 Noah opened Toronto’s only boutique dedicated mastering studio, Grandmasters. In 2001, Noah moved Grandmasters into Lacquer Channel Mastering and within 5 years
became co-owner with Lacquer Channel’s other senior engineer Phil Demetro.

Since 1996 Noah has been championing that mastering is as much about how music makes you feel as it is how it sounds. He’s also been responsible for numerous published articles on mastering and sound as well as having developed a technique for embedding high quality MP3s on a CD called enhanced MP3.

Noah has mastered 1000’s of albums and his sonic signature has been left of some of Canada’s most accomplished musical releases including; Broken Social Scene, Hayden, Great Big Sea, Sarah Slean, Death From Above 1979 and Sarah Harmer.

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